Tilleke Schwarz
My work is a mixture of graphic quality, content and fooling around. The humour in my work is typical for my Jewish background: a mixture of a laugh and a tear. Folk art and daily life are great sources for inspiration. I use mixed media with a focus on embroidery on linen and on drawings and paintings.
My work can be understood as a kind of visual poetry. It is a mixture of contemporary influences, graffiti, icons, texts and traditional images from samplers. The embroidery contains narrative elements. Not really complete stories, with a beginning, a storyline, and an end. On the contrary, the narrative structures are used as a form of communication with the viewer.
The viewer is invited to decipher connections or to create them. The viewer may assemble the stories and to produce chronological and causal structures. Actually the viewer might step into the role of the "author". It can become a kind of play between the viewer and me. The work also relates to the history of humanity that is determined through stories.
This is a miniature piece
Her website design is lovely, worth a visit just to see it.
Jessica Rankin
Rankin’s hand-embroidered panels of organdy resume her exploration of memory, geographic displacement and the passage of time.
Meandering between diaristic excerpts, poetic interludes and philosophical proposals, Rankin’s meticulously stitched textual patterns produce a field of non-linear associations, Rankin integrates text and image to construct what she refers to as “brainscapes,” which function as abstract portraits of journeys, both physical and mental. In reference to past work, this new series of embroidery works were completed with a looser, more painterly approach with threads hanging from the organdy canvas. Delicately pinned an inch away from the wall, the translucent sheets of organdy allow Rankin’s handiwork to cast shadows, thereby adding a further level of depth and definition.
Exhibition: YOUR SKY July 07 2005 - July 29 2005 The Project gallery New York
Yvette Hawkins
Yvette Hawkins: embroidered book sculpture made especially for the exhibition “All The Books I Have Never Finished” at The Gallery of Wonder, Newcastle University, UK.
"This embroidered book sculpture shown above consists of a book cut up and sewn back together around an embroidery circle. It was created especially for an exhibition at The Gallery of Wonder (Newcastle University) in the UK. I think it’s a very impressive piece and the story behind it shows Yvette’s deep interest also in the history of book and paper arts. She explains that “Traditionally women only folded and sewed pages of books in book binding, they were not allowed to make the covers of books, known as ‘casing in’ as it was seen as shameful. These sculptures reflect the work women undertook, using only folding and sewing, an act that mirrored their role in the domestic home. (…) The pages of the book are unreadable in the same way the stitching of the pages or ‘signatures’ would be concealed by the covers that would be made by men.”
Posted on a blog by
PaperPhine at 2:58 am on February 15th, 2012.
I saw this and thought it was an amazing way to present many pages together. I like the way she has secured the paper sheets by coloured stitches on an embroidery hoop, a simple but effective way to hold the papers together. The pages make a lovely form, looking almost like a solid object. It reminded me of the card index holders Kate was describing today. There are some interesting images on the blogsite if anyone has the time to browse!
